Worrell’s imaginative keyboard work was an integral part of P-Funk’s unique sound. Through his wizardry on the keys, he infused a fantasy/sci-fi element into the legendary funk-rock-soul collective’s ever-expanding sonic palette.
And in addition to his tremendous contributions on keys, Worrell had a hand in the writing of many of P-Funk's best and most-recognized classics, including “Mothership Connection (Star Child),” “Flash Light,” “Cosmic Slop,” “P.Funk (Wants To Get Funked Up),” “Aqua Boogie,” “Red Hot Mama,” and “Do That Stuff.”
He was without a doubt one of P-Funk’s most invaluable architects. So in honor of the Wizard of Woo, I’ve made a list of a few of my favorite Bernie Worrell moments on wax. Here they go:
Flash Light [Parliament - Funkentelechy vs. The Placebo Syndrome, 1977]
Worrell's iconic Minimoog synth bass line drives this raucous, supremely funky dancefloor classic. His other synth work throughout track is also stellar.
"Let Me Be" [Parliament - Chocolate City, 1975]
Worrell's inspired keyboard work illuminates this sterling Parliament cut. You can hear his deep classical roots here.
"A Joyful Process" [Funkadelic, America Eat Its Young, 1972]
Worrell drops megadoses of clavinet-driven funk on this appropriately titled instrumental.
"Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)" [Parliament - Motor Booty Affair, 1978]
The Woo master serves up another stupidly funky Minimoog bass line on this monster booty-shaker. And in addition to the bass line, Worrell elevates the track to its maximum funkatude with his amazing keyboard work and a slow-burn synth solo.
"Tales of Kidd Funkadelic (Opusdelite Years)" [Funkadelic - Tales of Kidd Funkadelic, 1976]
This desolate masterpiece showcases Worrell’s singular genius on the keys.
"Sir Nose D’Voidoffunk (Pay Attention - B3M)" [Parliament - Funkentelechy vs. The Placebo Syndrome, 1977]
Worrell brings some sci-fi flavor to the bizarre but exceedingly brilliant “Sir Nose D’Voidoffunk.”
"Smokey" [Funkadelic – Hardcore Jollies, 1976]
This superb Funkadelic cut features some low-end magic from Worrell on the moog synth bass. And he takes the funk up a notch with a badass solo on the melodica.
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