“Spellbound” is an amazing track by legendary Memphis band the Bar-Kays. It immediately locks you in with its laidback funky vibe. James “Knuck” Alexander anchors this smooth groove with a badass prowling bass line. The song features an awesome horn arrangement, funky clavinet, and shimmering synths. Also, it boasts some sweet electric piano and nasty guitar licks. Larry Dodson delivers a raw, soulful vocal performance. The track is about a confident, self-assured man telling his hesitant partner to stop denying her feelings for him and surrender to the powerful bond that they share; he lets her know that she would immediately regret breaking up because he has what “sets her soul on fire.”
“Spellbound” was co-written by songwriters James Banks and Henderson Thigpen. It was a single from the Bar-Kays’ sixth studio album, Too Hot To Stop, released in 1976 on Mercury Records and produced by Allen A. Jones. It was the band’s first album release on Mercury. They had previously been with Stax Records for nine years before the famed Memphis-based label folded in 1975. The funky collection spurred George Clinton to invite the Bar-Kays to be one of the opening acts on Parliament-Funkadelic’s legendary Earth Tour (1976-77).
“Spellbound” was a modest hit on Billboard’s R&B singles chart, peaking at #29. It has been sampled on two songs: “Whatever U Want” by Christina Milian, featuring Joe Budden (2004) and “Three Views Concerning Human Knowledge” (remix) by Bakers of the Holy Bread (1995).
Here’s the full personnel for the Too Hot To Stop album: Michael “Buckboard” Beard (drums, percussion, vocals), James “Knuck” Alexander (bass, vocals), Lloyd “Lucious Lloyd” Smith (lead guitar, acoustic guitar, 12-string guitar), Larry Dodson (lead vocals, harmonica), Winston “Winnie” Stewart (piano, clavinet, synthesizer, organ, synthesizer [ARP String Ensemble]), Harvey “Joe” Henderson (tenor saxophone, flute, percussion), Frank “Capt. Disaster” Thompson (trombone, bass trumpet, percussion) and Charles “Scoop” Allen (trumpet, vocals, guitar, percussion).


