Saturday, May 24, 2025

“Start Me Up” by The Rolling Stones

The Rolling Stones rocked into the ‘80s with a vengeance. After nearly two decades, the legendary British rock band continued to be a major force in the music industry and showed no signs of slowing down. They were still selling out huge stadiums worldwide and burning up the charts with hits like “Emotional Rescue” (1980) and “Start Me Up” (1981). 

“Start Me Up” is a thrilling rock anthem featuring the Stones’ classic sound. Keith Richards ignites the track with an electrifying guitar riff. Ronnie Wood plays a layered variation of the Richards’ main riff to give it some extra punch. Mick Jagger delivers an exhilarating, high-adrenaline vocal performance. Charlie Watts’ powerful drumming provides a strong foundation for the song, and Bill Wyman lays down a smashing bass line. The sexually charged lyrics are quintessential Stones.

“Start Me Up” was co-written by Jagger and Richards. It was originally a reggae song and had the working title “Never Stop.” It was first recorded in March 1975 during the Stones’ sessions for their album Black and Blue, but was put aside. It was later re-recorded with a completely different arrangement during the sessions for the Some Girls album in January and March of 1978. After many takes, the song was shelved. 

It resurfaced in 1981 when the Stones needed more material for their Tattoo You album. They looked through their archives to see if there were any forgotten tracks that they could use for the upcoming album. During the search, they found two takes of the song that had a more rock feel among the 70 or so reggae versions. The band refashioned it as a hard-rock song and retitled it “Start Me Up.” 

In an excerpt from Martin Elliott’s book The Rolling Stones: Complete Recording Sessions 1962–2012, Keith Richards discusses retrieving the song from the archives and how the band retooled it to be the rock classic that we know today: 

Nobody remembered cutting it. But we leapt on it again. We did a few overdubs on it, and it was like a gift, you know? One of the great luxuries of the Stones is we have an enormous, big can of stuff. I mean what anybody hears is just the tip of the iceberg, you know. And there is vaults of stuff. But you just have to have the patience and the time to actually sift through it.


“Start Me Up” was the lead single from the Stones’ album Tattoo You. The song was released on August 14, 1981. It was a huge hit, rising to #2 on the Billboard Hot 100 (where it remained for three weeks), and it sat atop Billboard’s Top Rock Tracks chart for 13 weeks, a record that stood for 13 years. The song peaked at #7 on the UK singles chart. Additionally, it topped the charts in Australia and made the top 10 in several other countries. 


Microsoft used “Start Me Up” in a big commercial campaign to launch its Windows 95 operating system. Microsoft paid the Stones a reported $3 million to use the song. This marked one of the first times that a hit song was used in a major marketing campaign, and it was the first TV ad for a Microsoft product. It was also the first time that the Stones permitted one of their songs to be used in an advertising campaign. 


“Start Me Up” was featured on the soundtracks for the films The Fan (1996) and Getting Even with Dad (1994). It was also played in the trailer for the 2024 film Transformers One. And it was featured on the soundtrack for the video game Karaoke Revolution Party, released in 2005. It has been sampled on six songs


Rolling Stone magazine ranked “Start Me Up” as the 8th Best Sports Anthem. Digital sports and entertainment news service Yardbarker included “Start Me Up” on its list of the 25 greatest stadium anthems of all time. The Stones performed the song during the Super Bowl XL Halftime Show on February 5, 2006.


The music video for “Start Me Up” was directed by filmmaker Michael Lindsay-Hogg, who had directed groundbreaking videos for the Beatles, the Who, and the Rolling Stones in the ‘60s. The video is pretty simple and straightforward, but effective. It has the Stones performing the song against a black background with Jagger doing his signature jerky dance moves and wild facial expressions. “Start Me Up” was serendipitously released shortly after the launch of MTV. (It was launched on August 1, 1981.) The runners of the new 24-hour music channel were eager to air a professionally made video of a hit song by a legendary rock band. It was quickly put into heavy rotation on the channel. This helped the Stones reach a whole new audience of young listeners who may not have been familiar with the band’s earlier works from the ‘60s and ‘70s. So it was a big win for both MTV and the Stones. 


“Start Me Up” is the Stones’ biggest ‘80s hit and a longtime staple of their live shows. And it’s among the top rock anthems of the ‘80s.



The Stones performing "Start Me Up" at Roundhay Park in Leeds, England on July 25, 1982

Microsoft Windows 95 commercial with "Start Me Up"


Friday, April 25, 2025

“Get Off” by Foxy

Latin dance/disco outfit Foxy was formed in Hialeah, Florida, in 1976. They were the house band for the Miami-based disco label T.K. Records. The founding members were Ismael Angel Ledesma (lead vocals, guitar), Arnold Paseiro (bass), Charlie Murciano (keyboards), Richie Puente (percussion), and Joe Galdo (drums). Most of Foxy's members hailed from Cuba, with one from New York City. In addition to their house-band duties at T.K., the talented crew performed at various clubs to supplement their income. The band released their self-titled debut album in 1976. They released three subsequent studio albums and one live album before breaking up in 1980.

Foxy are best known for their 1978 disco smash “Get Off." The rousing, shamelessly libidinous party jam filled countless dancefloors back in the day. Paseiro's deliciously funky bass line drives this high-powered dance track. And Galdo’s dynamic drumming keeps the groove factor high. Ledesma serves up a killer talkbox guitar solo and also ably handles lead vocals. Female vocal trio Wildflower’s spirited backing vocals significantly elevate the track’s excitement level and party vibe. The song also boasts an electrifying chorus.

“Get Off” was co-written by Ledesma and Carl Driggs, a vocalist and percussionist with Foxy. It was the title track from the band’s second album, Get Off (1978), released on Dash Records, a subsidiary of T.K. Productions, Inc. It topped Billboard's R&B singles chart, peaked at #9 on the Billboard Hot 100, and reached #18 on Billboard’s dance chart.

“Get Off” has been sampled on 24 songs, including Beastie Boys' “Shake Your Rump,” 2 Live Crew’s “Take It Off,” and Stacey Q’s “Two of Hearts (Dance Mix).” It was featured on the soundtracks for the films Roll Bounce (2005), Set It Off (1996), and Celtic Pride (1996). It was also featured in the TV series Scandal (season 5, episode 15, 2016) and Shasta McNasty (season 1, episode 1, 1999).

In 1979, Foxy scored another hit with the bumpin’ track “Hot Number.” The song peaked at #4 on Billboard’s R&B singles chart, and reached #21 on the Billboard Hot 100 and #26 on Billboard’s dance chart.

After Foxy disbanded in 1980, Ledesma returned to doing session work and producing tracks. He formed the dance-rock band OXO in 1983. He recruited guitarist Orlando Nuñez, bassist Frank Garcia, and drummer Freddy Alwag for the band. They had a top-30 hit with the pop-rock song "Whirly Girl," written and co-produced by Ledesma. It was released in February 1983 on Geffen Records. It peaked at #28 on the Billboard Hot 100. OXO broke up shortly after the song's release due to internal conflicts within the band and disputes between Geffen and management.

In 1986, Ledesma formed the Latin freestyle trio Company B. The group consisted of Lori L (Ledesma's wife), Charlotte McKinnon, and Susan Gonzalez Johnson. Ledesma wrote and produced their biggest hit, "Fascinated," which topped Billboard's dance chart and spent eight weeks in the Billboard Hot 100's Top 40, peaking at #21. The song also performed well on the charts in the Netherlands, reaching #2 on the Dutch Single Top 100. It's now regarded as a freestyle classic. Company B scored a few more hits on the dance charts. Ledesma produced and arranged all five of their albums. The trio has undergone a few personnel changes over the years. They released the club track "Let's Just Dance" in 2022. 

Ledesma also released two solo albums. He dropped his self-titled debut solo album on T.K. Records in 1979. The collection featured the seductive dance track "Don't Stop." The 12" release of the single charted at #39 on Billboard's dance chart. Ledesma released his second solo album, On This Corner, in 1986 on Geffen/Warner Bros. Records. Additionally, he played guitar on ABBA's 1979 song "Voulez-Vous," and he's credited on Miami Sound Machine's international hit "Bad Boy." Ledesma was also involved in several other music collaborations with notable artists such as Latimore and Fred Schneider. He's known professionally as Ish Ledesma.

Foxy performing "Get Off" at the Viña del Mar International Song Festival in Chile, 1980

Valerio Lazarov-directed music video of Foxy performing "Get Off" on the Spanish TV program Sumarísimo in 1978

"Get Off" at Amazon

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"Hot Number" by Foxy

Friday, April 18, 2025

“Happy Music” by The Blackbyrds

Acclaimed R&B/ jazz-funk outfit the Blackbyrds had one of their biggest hits with the exuberant “Happy Music.” The 1975 release lit up the airwaves and blessed the ears of music lovers across the U.S. The track boasts a dope rolling bass line, a funky beat, tight horn charts, and sweet keyboards. Legendary jazz man Donald Byrd contributes a wicked trumpet solo, and Orville Saunders’s exquisite guitar work significantly enhances the track’s breezy feel-good vibe. The band delivers smooth unison vocals, and they receive strong vocal support from renowned singer Merry Clayton, whose powerhouse pipes are brought to the forefront as the song closes out. 

“Happy Music” was written by Donald Byrd. It was a single from the Blackbyrds’ third studio album City Life (1975), produced by Byrd and released on the independent label Fantasy Records. The song peaked at #3 on Billboard’s R&B singles chart, #6 on Billboard’s dance chart, and #19 on the Billboard Hot 100.

City Life was the Blackbyrds’ most commercially successful album. It topped Billboard’s jazz album chart and peaked at #3 on Billboard’s R&B album chart and reached #16 on the Billboard 200. The RIAA has certified the album Gold in the U.S. with 500,000 copies sold. The collection also received high marks from music critics.

“Happy Music” has been sampled on 25 songs, including Grand Master Flash’s “Tear The Roof Off” and Jaz’s “Sign of the Crimes.”

The full personnel on “Happy Music” was Joe Hall (bass), Kevin Toney (keyboards), Orville Saunders (guitar), Stephen Johnson (saxophone), Keith Killgo (drums), Donald Byrd (trumpet), Ernie Watts (saxophone), George Bohannon (trombone), and Merry Clayton (vocals).



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Saturday, March 29, 2025

Prince Performs Blackstreet's "No Diggity" in Concert

Candy Dulfer, Chance Howard, and Prince gettin' funky with it
Prince and the New Power Generation burned up the stage with a sleazy, gutbucket rendition of Blackstreet’s classic “No Diggity” during a stop on the Musicology Live 2004ever tour. The Purple One and his groove squadron were in top form, serving up that good, raw, uncut funk. This badass performance showcased the considerable talents of the NPG members. Keyboardist/vocalist Chance Howard delivered a smooth, soulful lead vocal performance complemented by saxophonist Candy Dulfer's sultry backing vocals. 

Rhonda Smith anchored the groove with a savage bass line, and John Blackwell raised the funk level to the stratosphere with his powerful drumming. The highlight of the performance was Mike Scott’s blistering, show-stopping guitar solo. And Prince looked like he was having a blast as he invited audience members onstage to work their backsides. The artist never scrimped on the funk, always bringing it in ample doses, both onstage and in the studio. The performance occurred on August 13, 2004, at Washington D.C.’s MCI Center.

The Musicology Live 2004ever tour was Prince’s most commercially successful tour. It drew 1.47 million people and earned $87.4 million. It consisted of 77 shows across 52 cities in the U.S. The Musicology album was also quite successful. It sold over two million copies and charted in the top ten in many countries. Additionally, the collection earned Prince two Grammy awards: Best Traditional R&B Vocal Performance (“Musicology”) and Best R&B Vocal Performance–Male (“Call My Name”).



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Saturday, March 22, 2025

“Funk Insurance (Bootification)” by RonKat Spearman

San Francisco-based music artist RonKat Spearman dropped the sublime groove “Funk Insurance (Bootification)” back in January. The track has a smooth, jazzy flow and is played with style and funky finesse. It features cold guitar licks, a sizzling beat, and some sick bass. Luke Sailor enhances the groove with his stellar keyboard work, and RonKat delivers a soulful lead vocal performance. Funk veteran and trombonist Greg Boyer is responsible for the killer horn arrangement. The horn players on the track are Boyer (trombone), Bennie Cowan (trumpet), and Eric Rohner (saxophone). RonKat wrote and produced the song and played bass, guitar, and drums. And guitarist John Cotto also contributes some nasty licks.

RonKat is a talented songwriter, producer, and multi-instrumentalist. He’s co-written hits for noted music acts such as Jade and Klymaxx. He earned a Grammy nomination for co-writing Toni Braxton’s hit “I Belong To You.” The song also garnered him and co-writer Vassal Benford the BMI “Songwriter of the Year” Award. RonKat toured with George Clinton and Parliament-Funkadelic for 10 years before focusing all his talents and creativity on his band KATDELIC. The band has been thrilling audiences across the Bay Area with its exhilarating amalgam of funk, rock, soul, hip-hop, and EDM. They were voted the two-time winner of “Best of the Bay” band in 2017 and 2019. The members of KATDELIC are Kirk Peterson (bass), Lisa Lynn-Preston (vocals, sax, dancer), John D. Cotto (guitar), Luke Sailor (keyboards), Jadyn Petterson-Rae (vocals, tambourine), Charles Spikes (guitar), and RonKat (guitar, keyboards, drums, bass, harmonica, percussion, lead, and backing vocals).

Ronkat released his fantastic new track “Believer” on March 21. It features an intoxicating groove and a positive message of standing up for what you believe in and living your truth. Visit RonKat’s website to learn more about him and KATDELIC as well as tour dates. 



KATDELIC's performance at UC Berkeley's radio station KALX on March 1. The set included "Funk Insurance (Bootfication)" and "Believer."

Official video for "Believer"

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Sunday, March 16, 2025

“Stay On Track” by Eddie Roberts & The Lucky Strokes

Blues-rock outfit Eddie Roberts & The Lucky Strokes released the inspirational anthem “Stay On Track” in November last year. The track features a gritty soul-drenched vocal performance from Mississippi-bred guitarist/singer Shelby Kemp (Royal Horses), winner of the 2024 Telluride Blues Challenge. Kemp brings equal shares of Chris Robinson and Joe Cocker swagger to his powerful Southern rock-flavored vocals. The Tamba Bay-based Galbraith sisters–Ashley (bass) and Taylor (drums)–provide a strong rhythm bedrock for this gutbucket gospel-laced track. Guest artist Chris Spies (Honey Island Swamp Band) serves up some fantastic keyboard work, while Kemp lets loose with his electrifying fretboard magic. Eddie Roberts (the New Mastersounds) keeps things raw and funky with some tight rhythm guitar licks.

“Stay on Track” is about pushing forward through tough times, remaining focused on your goals, and overcoming obstacles to finally get your due and achieve your dreams. The song was co-written by Shelby Kemp and Ceredig Benjamin Roberts. It was produced by Eddie Roberts and released on the Denver-based label Color Red Music, which he founded in 2018.

Eddie Roberts & The Lucky Strokes was formed in 2023. The talented quartet first played together during a performance at Cervantes’ Masterpiece Ballroom’s 20th Anniversary party on January 20, 2023. They shared such tremendous chemistry that they decided to make playing together a regular thing. The band released their self-titled debut album on October 13, 2023. Their sound fuses the rich lyricism of acclaimed country greats such as Waylon Jennings, Willie Nelson, and George Jones, with James Brown's dynamic, rhythm-powered thrust and topped off with some good old-fashioned rock ‘n’ roll. 

The band has some tour dates coming up soon. Visit their website for upcoming tour info and updates on new music releases.


Wednesday, March 12, 2025

“When Will You Be Mine” by Average White Band

Average White Band was still releasing great uncut funk as the ‘70s were coming to a close. The acclaimed Scottish groove outfit never half-stepped when it came to funk, always serving it up straight with no chaser. The band released the funk gem “When Will You Be Mine” in 1979. It’s one of their most underappreciated tracks. The irresistible groove features percolating keyboards, sick guitar licks, and some nasty bass. Alan Gorrie delivers a marvelous lead vocal performance that’s complemented by Hamish Stuart's smooth backing vocals. Steve Ferrone’s super-tight drumming keeps the groove humming. The track is finely arranged and boasts a terrific chorus.

“When Will You Be Mine” was written by Gorrie and AWB. It was a single from the band’s seventh studio album Feel No Fret, released in 1979. The song peaked at #49 on the UK charts. The album also enjoyed some solid chart action, peaking at #32 on the Billboard 200 and #30 on Billboard’s R&B album chart. And the collection had an impressive showing on the UK album charts, peaking at #15. The album was produced by Average White Band.

“When Will You Be Mine” was sampled on Mark Ronson’s 2003 song “She’s Got Me,” featuring Daniel Merriwether.


Here's Average White Band’s lineup for “When Will You Be Mine”: Alan Gorrie (guitar, lead vocals), Hamish Stuart (bass, backing vocals), Onnie McIntyre (guitar), Steve Ferrone (drums), Roger Ball (keyboards) and Malcolm Duncan (saxophone).


Average White Band are still going strong. They still record and tour, of course, with a few personnel changes from the original lineup.



AWB performing "When Will You Be Mine" on British television music show The Old Grey Whistle Test in October 1978.


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