Friday, November 22, 2024

"September" by Earth, Wind & Fire

Earth, Wind & Fire were enjoying a major career high in 1978. That year, they were still basking in the monumental success of their widely acclaimed triple-platinum album All ‘N All (released in late ‘77); they burned up the charts with an amazing cover of the Beatles' classic “Got To Get You Into My Life”; they thrilled audiences on their 1978 All ‘N All Tour; and topped off the year with “September,” one of their most enduring and celebrated hits.

Released on November 18, 1978, “September” is probably Earth, Wind & Fire’s most popular song. Even people largely unfamiliar with the band’s work have heard it. Forty-six years after its release, the song still gets tons of play–it’s blasted at weddings, school reunions, sporting events, parties, family cookouts, fairs, political conventions, etc. The song is an exhilarating mix of R&B, dance, jazz, and funk. The hook-laden track has an uplifting, feel-good vibe that resonates with people of all ages. It begins gently with light guitar, keyboards, and percussion, and then a powerful horn volley blasts the song into high gear. Maurice White delivers a rich, soulful vocal performance, while his brother Verdine bolsters the groove with his superb bass work. Philip Bailey’s shimmering falsetto lights up the song’s irresistible chorus; and the track also features some great percussion and an incredible horn arrangement.

“September” is a joyous slice of autumn nostalgia. It’s about remembering the good times of the past. But it is also about appreciating and celebrating all of the blessings presently in your life: “Now December/Found the love that we shared in September/Only blue talk and love, remember/The true love we share today.”

"September" was written by Maurice White, EWF guitarist Al McKay, and songwriter Allee Willis. McKay created the song’s musical framework in his home studio. He discussed how he came up with it in a 2018 interview with Spotify: “It was one of those mornings," he said. “I came downstairs feeling really good. [I] went to my studio, set up a groove, and it just came piece by piece. I brought it to Maurice, and he liked it right away. Then he said, ‘Play it again.’ And I kept playing it for him. The last time he looked at me, and he sang, ‘Do you remember’.”

While McKay and White were working on the song’s intro, Wills was brought in to add more lyrics among other refinements and tweaks. In a 2014 interview with NPR, Willis discussed her experience working on “September”: “And as I walked in the studio, they are working on an intro to a song, and I hear the happiest sounding music I have ever heard in my life! And I remember thinking, ‘Dear God, let this be what he wants me to work on!” Willis initially objected to the “ba-dee-ya” lyrics on the chorus and begged White to rewrite them because she felt they were nonsensical gibberish. But he wouldn’t budge and made it clear that it didn’t matter if certain lyrics didn't make sense as long as they worked in service of the groove. “I learned my greatest lesson ever in songwriting from him, which was never let the lyric get in the way of the groove,” she said. Willis added that the date September 21st mentioned in the song has no significant meaning, and they picked it simply because it sounded the best. "We went through all the dates: 'Do you remember the first, the second, the third, the fourth ... ' and the one that just felt the best was the 21st," she explained. 

“September” was produced by White and Charles Stepney and released on ARC/Columbia Records. It was included on the band’s greatest hits album The Best of Earth, Wind & Fire, Vol. 1 (released on November 23, 1978). The song topped Billboard’s R&B singles chart and peaked at #8 on the Billboard Hot 100. It also performed well on the charts globally, making the top 10 in the UK (#3), Norway (#6), Ireland (#8), France (#6), and Canada (#8). And it cracked the top 20 in several other countries. The song has sold more than two million digital copies in the U.S. alone and has been certified six times platinum by the RIAA.

“September” has had a significant cultural impact. The timeless classic has been embraced by two generations of music lovers. It has become a fall anthem and made September 21st an unofficial holiday, with leading cities declaring it “Earth, Wind & Fire Day.” Fans even hold “21st night in September” parties worldwide on that date. Additionally, sales for “September” spike every year on September 21st. The song has also become a popular football chant in the UK at many clubs. In 2018, it was added to the Library of Congress’s National Recording Registry list of sound recordings that “are culturally, historically, or aesthetically important.” Rolling Stone placed it at # 65 on its “500 Greatest Songs of All Time” list in 2021.

“September” has been featured on numerous film soundtracks, including Soul Food (1997), Night at the Museum (2006), and Robot Dreams (2023). The Emmy-nominated HBO film Dancing in September (2000) was named after a lyric in the song. “September” has also been featured in TV shows, video games, and commercials. It has been sampled on 68 songs and covered by a slew of artists, including Kirk Franklin, Taylor Swift, and John Tesh. Also, Justin Timberlake and actress Anna Kendrick recorded a duet of “September” for the soundtrack of the animated musical jukebox comedy Trolls (2016).

The personnel for “September” was Maurice White (lead and background vocals, production), Philip Bailey (lead and background vocals, congas), Verdine White (bass, background vocals), Al McKay (electric guitar, background vocals), Andrew Woolfolk (soprano saxophone), Larry Dunn (keyboards), Ralph Johnson (drums, percussion), Johnny Grahm (guitar), Fred E. White (drums) and the Phenix Horns: Louis Satterfield (trombone), Rahmlee Michael Davis (trumpet), and Michael Harris (trumpet).


Earth, Wind & Fire performing "September" live in Brazil in 1980


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Sunday, November 10, 2024

Music Giant Quincy Jones Dies at 91

Legendary producer, musician, composer, and arranger Quincy Jones died on November 3 at his home in the Bel-Air section of Los Angeles. He was 91. 

Jones was a major figure in the 20th-century musical landscape and had a dizzying array of accomplishments during his amazing seven-decade career. The music Renaissance man worked with many of the recording industry’s biggest talents–including Frank Sinatra, Dizzy Gillespie, Count Basie, Dinah Washington, Aretha Franklin, Barbra Streisand, Duke Ellington, Ray Charles, Miles Davis, Ella Fitzgerald, and Celine Dion, among countless others. Jones had a gift for bringing out the best in the artists he produced, creating an open, collaborative studio environment where their talents could fully shine.

Among Jones’s numerous career highlights, his work on Michael Jackson’s Thriller (1982) is probably the most celebrated. The album was a cultural phenomenon and a massive game-changer. It has the distinction of being the biggest-selling album of all time. The collection landed multiple awards, including eight Grammys, and placed Jackson in the rare company of era-defining megastars like Elvis and the Beatles. In all, Jones produced three albums for Jackson. His impeccable production chops paired with Jackson’s extraordinary musical gifts was a world-beating combination. The first album the two collaborated on was Off The Wall (1979), an incredible collection of R&B, disco, and soul tracks. This album is particularly significant because it introduced the adult MJ to the world, now an assured and focused young artist who finally had some control over the creative direction of his music. The smash lead single from the collection “Don’t Stop ‘Til You Get Enough” earned Jackson his first Grammy. Off The Wall was a huge critical and commercial success and opened the way for Thriller's total global domination. The third and final album the two worked on together was Bad (1987). To date, the collection has sold an estimated 45 million copies worldwide. It was also the first album to have five number-one singles in a row–a feat that has only been repeated once since then with Katy Perry’s album Teenage Dream (2010). 

Another big career highlight for Jones was when he produced and conducted the all-star charity single “We Are The World,” in which 45 prominent music artists participated. The single sold over 20 million copies worldwide and raised more than $60 million for famine relief in parts of Africa. The song won four Grammys, including Song of the Year and Record of the Year. 

Quincy and Michael working on the Off The Wall album
Jones also distinguished himself in the cinematic world through his impressive film scores. He scored nearly 40 films. Some of his film credits include In The Heat of the Night, The Color Purple, The Slender Thread, Cactus Flower, Get Rich or Die Tryin’, The Pawnbroker, Makenna’s Gold, and In Cold Blood. He was the musical supervisor for the 1978 film The Wiz. He also produced the film’s soundtrack. Jones met Michael Jackson on the set of The Wiz (Jackson played Scarecrow). The two hit it off, leading Jones to produce Off The Wall. Jones also composed the popular instrumental “Soul Bossa Nova,” famously played in the opening scene of the 1997 spy comedy Austin Powers: International Man of Mystery.

Additionally, Jones wrote the theme song for the hit ‘70s sitcom Sanford and Son. And he earned a Primetime Emmy Award for composing music for the landmark, record-breaking miniseries Roots (1977). He was also an executive producer for the highly popular ‘90s sitcom The Fresh Prince of Bel-Air. Also, Jones became the first African American to serve as the conductor and music director of the Academy Awards in 1971. And he was an executive producer for the 1996 Academy Awards. 

Jones received a slew of awards and accolades for his work as a musician, producer, arranger, and film composer–28 Grammys, a Primetime Emmy Award, a Tony Award, and seven Academy Award nominations. And he was a five-time NAACP Image Award winner. He received a star on the Hollywood Walk of Fame in 1980. In 1995, he was honored with the Jean Hersholt Humanitarian Award by the Academy of Motion Picture Arts and Science. He was a Kennedy Center Honors recipient in 2001 and was inducted into the Rock and Roll Hall of Fame in 2013. In 2018, Jones became the first composer to be immortalized by having his hands and feet imprinted at the iconic TCL Chinese Theatre (originally named Grauman's Chinese Theatre). Jones was set to receive an honorary Oscar at the Academy of Motion Picture Arts & Sciences’ 15th Governors Awards on Sunday, November 17.

Jones was a lifelong social activist. He was a strong supporter of Dr. Martin Luther King Jr.’s Operation Breadbasket, an effort designed to improve the economic conditions in black communities. He was also one of the founders of the Institute for Black American Music (IBAM), which organized events aimed at raising funds for the creation of a national library of African-American art and music. Additionally, he helped establish the Black Arts Festival in his hometown of Chicago. He also founded the Quincy Jones Listen Up Foundation, a nonprofit organization created to break the cycle of poverty and violence by connecting disadvantaged children with education, technology, and culture and the roots and fruits of music. In 2001, the foundation built more than 100 homes in South Africa as part of its crusade to provide housing and support to communities in need. 

Jones worked closely with U2 frontman Bono for many years on a number of philanthropic endeavors. He became an honorary member of the board of directors of the Jazz Foundation of America in 2001. He was involved in the foundation's efforts to save the homes and lives of America’s elderly jazz and blues musicians, including Hurricane Katrina survivors. In 2004, Jones helped launch the We Are The Future (WAF) project. Its goal is to provide children in poverty-stricken and conflict-ridden areas a chance to live their childhoods in an environment where they can develop a sense of hope. Jones also supported many other civil rights and humanitarian organizations, including NAACP, GLAAD, amfAR, and the Maybach Foundation. 

Jones's contributions to music were immeasurable. He bridged musical generations, bringing together old-school and new-school artists in the studio. He stood at the intersection of jazz, R&B, pop, funk, soul and hip-hop. He didn’t look down on rap as some purist musicians from his generation did and was always willing to work with talented artists from that genre. Some of the major rap artists Jones worked with include Snoop Dogg, LL Cool J, Ice-T, and Queen Latifah. He remained open to new sounds, ideas, and musical trends. He appreciated and nurtured real talent, no matter the genre or where it came from. His massive impact on entertainment continues to resonate loudly and will do so in the years to come. 


Sunday, November 3, 2024

" Skeletons" by Stevie Wonder

Stevie Wonder was still funkin’ as hard as ever in 1987, nearly three decades into his storied music career. That year, he dropped the ferocious funk jam “Skeletons.” It's one of the funkiest joints he released in the ‘80s. The monstrous groove features a powerful synth bass line and an angry beat. Stevie serves up a dynamic vocal performance that’s dripping with funk. The track also boasts infectious keyboards and a captivating chorus.

“Skeletons” is about bringing to light the lies and deceit of those who hide behind a facade of integrity, honor, and respectability, particularly corrupt politicians. Stevie released this song when the Iran-Contra hearings were in full swing, and he takes aim at all those involved. The song’s extended 12-inch version features short sound bites from Col. Oliver North and President Ronald Reagan, two major players in the Iran-Contra scandal. 

“Skeletons” was written and produced by Stevie. It was the lead single from his 21st studio album Characters, released in late 1987 on Motown. It topped Billboard’s R&B singles chart and peaked at #19 on the Billboard Hot 100. And it climbed to #20 on the US dance chart. The song earned Stevie two Grammy nominations–Best R&B Song and Best R&B Male Vocal Performance.

Here’s the song’s full personnel: Stevie Wonder (lead vocals, synthesizers, drums, percussion), Robert Arbittier (synthesizer programming), and backing vocals were provided by Alexis England, Darryl Phinnessee, Dorian Holley, Keith John, Kevin Dorsey, Lynne Fiddmont, Melody McCully, Shirley Brewer.

"Skeletons” was sampled on Big Daddy Kane’s “Mister Cee’s Master Plan” and The Fila Fresh Crew’s “Dunk the Funk.” The song was featured prominently in the classic action thriller Die Hard (1988). It was also featured in the second trailer and soundtrack for the popular action-adventure video game Grand Theft Auto V (2013). Additionally, it was featured in an episode of the highly-viewed TV sitcom A Different World, season 1, episode 4, 1987.

The song’s video explores an idyllic white-picket-fence American neighborhood and uncovers the dark secrets its residents keep concealed behind their upstanding public facades. Directed by Greg Gold, it features Stevie Wonder, John Travolta, and actress Karen Black (The Great Gatsby, Nashville, Five Easy Pieces).

To date, “Skeletons” was Stevie’s last song to make the top 40 on the Billboard Hot 100. However, he’s had several top-10 hits on Billboard’s R&B singles charts since then.  



12-inch version of "Skeletons"

"Skeletons" music video

Stevie performing "Skeletons" in Tokyo, Japan in 1988

"Skeletons" is available at Amazon

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