Friday, April 26, 2024

"The Wanderer" by Donna Summer

In 1980, disco’s popularity was plummeting rapidly, and it was also the target of a vicious hate campaign–much of which was fueled by anti-black racism, homophobia and sexism. As a result, Donna Summer–one of disco’s biggest superstars–began reshaping her sound to align more with the current popular music trends of the early ‘80s. She started incorporating new wave and more rock into her sound and jettisoned the heavy disco rhythms she was known for. Strings and horns were replaced with synths, and rock guitars became much more prominent.

“The Wanderer” typified Summer’s new sonic direction. It’s a cool mix of rockabilly and new wave. And Summer also switched up her vocal style for this cut. Her full-throated, powerhouse vocal style that electrified her disco smashes is absent. Instead, she delivers her verses in a restrained Chrissie Hynde-meets-Elvis lower register. The track features percolating synths, groovin' bass and dynamic rock guitar riffs. It also boasts an infectious chorus where Summer channels a bit of Debbie Harry. The song’s narrator is a restless soul who can’t stay in one place too long. She expresses her aversion to a regular nine-to-five existence and wants to be free to roam and experience life’s many adventures and pleasures.

“The Wanderer” was the lead single and title track from Summer’s eighth studio album, released on October 20, 1980 on Geffen Records. She co-wrote the song with Giorgio Moroder. It was arranged by musician/composer/producer Harold Faltermeyer, who also played keyboards and synths on the track. The song was produced by Moroder and Pete Bellotte, both longtime collaborators of Summer.

“The Wanderer” had an impressive showing on the U.S. charts. It peaked at #3 on the Billboard Hot 100 and rose to #16 on Billboard’s R&B singles chart. And it performed well in other parts of the world. It charted in the top five in six countries–Canada (#2), Spain (#4), Italy (#3), New Zealand (#5), South Africa (#5) and Finland (#4). The song was certified gold by the RIAA with 500,000 units sold. Unfortunately, it’s sorely underappreciated these days. Except for Summer's most ardent fans, the song seems to be all but forgotten, which is a shame.

The Wanderer was Summer’s first music release after she left Casablanca Records in 1980 and signed with David Geffen’s label Geffen Records that same year. She was the first artist to be signed to the new label. The album peaked at #13 on the Billboard album chart. It went on to sell 600,000 copies in the U.S. The full musician lineup for the album was Harold Faltermeyer (keyboards, synthesizer), Keith Forsey (drums, percussion), Jeff Baxter (guitar), John Pierce (bass), Sylvester Levay (keyboards, synthesizer), Steve Lukather (guitar), Lee Sklar (bass), Tim May (guitar), Les Hurdle (bass) and Gary Herbig (saxophone solo). Backing vocals were provided by Bill Champlin, Carmen Grillo and Tom Kelley. 

Summer returned to her dance and R&B roots on her self-titled tenth studio album, produced by Quincy Jones and released in 1982 on Geffen Records.


Official music video for "The Wanderer"

Donna Summer performing "The Wanderer" on The Tom Snyder Show in 1980


Sunday, April 21, 2024

"Stone To The Bone" by James Brown

James Brown dropped this badass track in November of 1973. This was during the early years of his storied “Godfather of Soul” era. The groove flows at a smooth funky stroll. You can easily picture James cold-struttin’ to this wicked groove. John “Jabo” Starks keeps the funk level high with a sick beat, and Fred Thomas complements it with a strong bass line. Guitarist Jimmy Nolen serves up some nasty licks, while James deepens the funk with a soulful organ solo. The Godfather also delivers a dope vocal performance. Additionally, the track features a superb horn arrangement, and Hearlon "Cheese" Martin sweetens the groove with some funky rhythm guitar.

James sings the praises of his lady on this track. She’s a dime no doubt, but he points out that there’s much more to her than just good looks and sex appeal. She’s also a solid, faithful partner–a true ride-or-die who holds him down throughout the good and bad times. 

“Stone To The Bone” was written and produced by James. The two-part song was the lead single from his 37th studio album The Payback, released in December of 1973 on Polydor Records. The track peaked at #4 on Billboard’s R&B singles chart and #58 on the Billboard Hot 100. 

The full personnel on "Stone To The Bone" was John "Jabo" Starks (drums), Jimmy Nolen (lead guitar), Fred Thomas (bass), Hearlon "Cheese" Martin (rhythm guitar), James Brown (vocals, organ), John Morgan (percussion) and the horn section: Maceo Parker (alto saxophone), Darryl "Hasaan" Jamison (trumpet), Fred Wesley (trombone), St. Clair Pinckney (tenor saxophone), Jerone "Jasaan" Sanford (trumpet) and Isiah "Ike" Oakley (trumpet).

“Stone To The Bone” has been sampled on 37 songs, including “Alwayz into Somethin’” (N.W.A), “It’s Funky Enough” (The D.O.C.) and “Steppin’ to the A.M. (3rd Bass).


James Brown performing "Stone To The Bone" live in 1974

The full unedited clip of the "Stone To The Bone" live performance, but the quality is not as good.


Related blog entry: "The Boss" by James Brown